2026

Women

Collaboration with Amy Hopper

(Medium: Digital Image, polaroid transfer & mixed media paint/ink)

Digital Photo - iPhone 15 Pro

Still Life 1

Digital image - Erin Hesser

Sent to Amy Hopper

Watercolor

Still Life 2

Digital image printed on watercolor pager, hand painted and ink - Amy Hopper.

Sent back to Erin Hesser

Polaroid Transfer - Daylab, Fuji Instant Film FP-100

Still Life 3

Watercolor and inked images used to create Polaroid transfer on watercolor paper - Erin Hesser

Polaroid Lift - Daylab, Polaroid 600 Instant Film

Still Life 4

Watercolor and inked images used to create Polaroid lift on watercolor paper - Erin Hesser

2026

We Were Children

Collaboration with Shannon Hesser

(Medium: Mixed Media Origonal Art Works,  Polaroid 600 Images)

1987/2026

Queen

Acrylic Painting | Shannon Hesser

Polaroid 600 Image | Erin Hesser


Year

xxx

xxx| Shannon Hesser

Polaroid 600 Image | Erin Hesser


2007

Mask - Janellee

Paper Mache | Polaroid 600 Image  Erin Hesser

2007

Mask - Hunter

Paper Mache | Polaroid 600 Image Erin Hesser

1986/2026

Mask - Erin

Clay| Polaroid 600 Image | Erin Hesser

1985/2026

Mask - Shannon

Clay| Shannon Hesser

Polaroid 600 Image | Erin Hesser

xxx

xxx

xxx| Shannon Hesser

Polaroid 600 Image | Erin Hesser

xxx

xxx

Clay| Shannon Hesser

Polaroid 600 Image | Erin Hesser

2025 - Ongoing

The Snuggle Cave

(Medium: Digital Image)

Digital Photo - iPhone 15 Pro

Flower at Home | Sandy, Utah 2025


Digital Photo - iPhone 15 Pro

Flower's Adventures in the Snuggle Cave


Digital Photo - iPhone 15 Pro

Flower's Adventures in the Snuggle Cave

Digital Photo - iPhone 15 Pro

Flower's Adventures in the Snuggle Cave

2009-2022

The Mental Load

This is a powerful, emotionally layered, and culturally resonant body of work. What I’ve created over a decade is not just a photographic archive — it’s a visual essay on gendered labor, coercive control, emotional absence, and the invisible parent. The fact that the entire series exists only because I was there and the one holding the camera is itself the thesis. This series documents not only the visible bond between father and child, but the invisible work of the mother behind the camera. It is a portrait of love, labor, erasure, and the quiet endurance of the parent who made every memory possible but appears in none of them.

“Control doesn’t always look like anger. Sometimes it looks like absence.”

(Medium: Digital Image, polaroid transfer to watercolor paper)
2009-2026

She Sleeps

Intensely vulnerable vernacular exploration of carefree dreams via the car-calepsy freefall of sleepy car rides.
(Medium: Digital Image, polaroid transfer to watercolor paper)
2007

FDA Approved

I am a vegetarian... 'Meat' me in my dreams!
(Medium: Digital Image, polaroid transfer to watercolor paper)
2001-2005

Handmade Books

Handcrafted fine art books exploring color, texture, and mixed media pages
2002

Buongiorno

A vivid vision of the blindingly bright streets of Florence, Italy, at the turn of the 21st century. Light collides with color, documenting mundane artifacts and landmarks throughout the city.
(Medium: 35mm slide film, digital print)
2001

Firenze 

A study of light and movement through the nightlife and club scene of Florence, Italy, at the turn of the 21st century. Thoughts, hopes, and dreams dance across the images night after night.
(Medium: 35mm slide film, digital print)
2000

Light

A study of light and movement through dance in the nightlife club scene of 4th Ave, Tucson, Arizona at the turn of the 21st century.
(Medium: 35mm color film, digital print)